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Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

The Creation of Rachel Henning: Personal Correspondence to Publishing Phenomenon

‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*

Creative Acts: Archives, Artifacts and Australian Women’s Autobiographies

‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard Mahony

Literary Aspiration and the Papers of William Gosse Hay

Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart

Jack Lindsay and MI5: More than Surveillance

Interview with Thomas Keneally, Manly, 27 June 2012

Kendall’s Views on Contemporary Writers : A Survey of His Correspondence

Annual Bibliography of Studies in Australian Literature : 1964

Some Poems of Judith Wright

Burke and Wills and the Colonial Hero: Three Poems

Review of *Xavier Herbert* by Laurie Clancy

Fathers and Lovers: Three Australian Novels

Romance Australia: Love in Australian Literature of Exploration

A Survey of Chinese Translation of Australian Literature

An Interview with Carter Brown