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The Structure of Frederic Manning’s War Novel *Her Privates We*

Thoughts on Some Recent Poetry

The ‘Literary Photographs’ of Henry Lawson

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

Sonnet Sequences in Australia (1832-1990): A Preliminary Checklist

Feral Symbolists: Robert Adamson, John Tranter, and the Response to Rimbaud

Poetry and Politics in Oodgeroo: Transcending the Difference

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Leisure and Grief: The Recent Poetry of Chris Wallace-Crabbe

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

Dramatising the Self: Beverley Farmer’s Fiction

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Les Murray: A Selective Checklist

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*