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- Barry Oakley and the Satiric ModeEssay1 May 1975
- Some Mary Gilmore LettersEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Thoughts on Some Recent PoetryEssay1 October 1977
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- Leisure and Grief: The Recent Poetry of Chris Wallace-CrabbeEssay1 October 1996
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- ‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth ParkEssay1 May 1996
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999