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A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

The Traditionalism of James McAuley

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

Barbara Hanrahan’s Novels

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

War Correspondents in Australian Literature: An Outline

The Sites of War in the Fiction of Thomas Keneally

Ripping Yarns, Ideology, and *Robbery Under Arms*

Gender and Genre in Barbara Baynton’s *Human Toll*

Sentimental Jonah’s Heart of Stone

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Barry Oakley and the Satiric Mode

Some Mary Gilmore Letters

Dreams and Visions in *The Tree of Man*

Vance and Nettie Palmer: The Literary Journalism

The Structure of Frederic Manning’s War Novel *Her Privates We*

Thoughts on Some Recent Poetry

The ‘Literary Photographs’ of Henry Lawson

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Reading the Signs of Michael Wilding’s ‘Knock, Knock’