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- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- War Correspondents in Australian Literature: An OutlineEssay1 October 1985
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Ripping Yarns, Ideology, and *Robbery Under Arms*Essay1 October 1989
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Barry Oakley and the Satiric ModeEssay1 May 1975
- Some Mary Gilmore LettersEssay1 October 1972
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- Vance and Nettie Palmer: The Literary JournalismEssay1 October 1973
- The Structure of Frederic Manning’s War Novel *Her Privates We*Essay1 October 1974
- Thoughts on Some Recent PoetryEssay1 October 1977
- The ‘Literary Photographs’ of Henry LawsonEssay1 October 1978
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Feral Symbolists: Robert Adamson, John Tranter, and the Response to RimbaudEssay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994