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- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Centre of Fierceness: Francis Webb’s Vision of the ArtistEssay1 October 1975
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- David IrelandEssay1 October 1977
- Review of *Victor J. Daley (A Life)*, by Frank MolloyReview1 October 2006
- Judith Wright and the Temporality of CompositionEssay1 October 2007
- Review of *National Fictions: Literature, Film and the Construction of Australian Narrative* by Graeme TurnerReview1 October 1987
- Review of *Gail Jones: Word, Image, Ethics*, by Tanya DalziellReview30 April 2021
- The Redemptive Theme in *His Natural Life*Essay1 June 1965
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. CoetzeeEssay1 June 2010
- *West Coast Correspondences: Randolph Stow Encounters Thom Gunn’s *The Sense of MovementEssay1 May 2011
- Thomas Keneally and the Scheme of ThingsEssay1 May 1979