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- Discoveries and Transformations: Aspects of David Malouf’s WorkEssay1 May 1984
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Salt Scars: John Kinsella’s WheatbeltEssay1 June 2012
- **Review of *Last Letter to a Reader: Essays*, by Gerald Murnane**Review2 May 2023
- Why Australia? Or Against the Fragmentation of English Literary StudiesEssay1 May 2000
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Beyond Capricornia: Ambiguous Promise in Alexis WrightEssay1 May 2009
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- Review of *In A Critical Condition* by John Docker; and *The Music of Love: Critical Essays on Literature and Life* by Dorothy GreenReview1 May 1985
- The Design of ‘For the Term of His Natural Life’Essay1 October 1974
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- ‘The Only Russian in Sydney’: Modernism and Realism in *The Watch Tower*Essay1 May 1992
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- John Foulcher’s DemocracyEssay1 October 1999
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- Review of *Death is a Good Solution* by A.W. Baker; and *Snow on the Saltbush* by Geoffrey DuttonReview1 May 1987
- Review of *Marcus Clarke* by Michael Wilding and *Price Warung (William Astley)* by Barry AndrewsReview1 October 1978
- Review of *Gangland: Cultural Elites and the New Generationalism*, by Mark DavisReview1 May 1998