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- Francis Webb’s Challenge to Mid-Century Mythmaking: The Case of Ludwig LeichhardtEssay1 October 1982
- Here Beyond My KnowingEssay1 May 1985
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- *The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative ContradictionEssay1 May 1986
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- Australian Bards and British ReviewersEssay1 May 1975
- Marcus Clarke’s LibraryEssay1 October 1976
- ‘Oh, Vaunted Queensland!’: A Literary Interpretation, 1862-69Essay1 October 1973
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978
- G.A.S. in Australia: Hot Air Down-Under?Essay1 October 1992
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Anzac, Literary Genre and MemoryEssay1 October 1996
- Performance for the PeopleEssay1 November 1994
- Three-Dimensionality and *My Brother Jack*Essay1 May 1997
- The Art of ‘Cracking Normal’Essay1 October 2001