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‘I Want a Mortgage and Comfort’: Consumption, Totality and Identity in Australian Gay Fiction

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

‘Islands, Islands’: An Archipelagic Reading of Ruth Park’s *Fishing in the Styx* (1993)

Between Scylla and Charybdis : ‘Kangaroo’ and the Form of the Political Novel

Henry Kingsley: *Ravenshoe*

Gender and Genre in Barbara Baynton’s *Human Toll*

Sentimental Jonah’s Heart of Stone

Gentlefolk Errant: The Family Writings of Martin Boyd

Dreams and Visions in *The Tree of Man*

Patrick White’s Novels and Nietzsche

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and Cheever

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Where Literary Studies Is, and What It Does

Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah Galletly

Romantic Attitudes in *Geoffry Hamlyn*