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Alrene Sykes

‘Beyond the Regions of Ordinary ‘Lady’ Verse’: Two Uncollected Poems by Louisa Anne Meredith

Review of *Henry Handel Richardson*, by Michael Ackland, *Henry Handel Richardson*, edited by Susan Lever and Catherine Pratt, and *The Tomis Complex: Exile and Eros in Australian Literature*, by Irina Grigorescu Pana

Review of *The Pathos of Distance*, *The Visitable Past: Images of Europe in Anglo-Australian Literature*, *Eagle and Emu: German-Australian Writing 1930-1990*, *An Antipodean Connection: Australian Writers, Artists and Travellers in Tuscany*

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

A Johnsonian Moral

Review of *The Devil and James McAuley*, by Cassandra Pybus

Review of *Michael Dransfield's Lives: A Sixties Biography* by Patricia Dobrez

Review of *Henry Handel Richardson: The Letters*, edited by Clive Probyn and Bruce Steele, with Rachel Solomon and Patrick O'Neill

Review of *The Gauche Intruder: Freud, Lacan and the White Australian Fantasy*, by Jennifer Rutherford

Review of *Authority and Influence: A ustralian Literary Criticism 1950-2000*, edited by Delys Bird, Robert Dixon, and Christopher Lee

Review of *Les Murray*, by Steven Matthews, and *Attuned to Alien Moonlight: The Poetry of Bruce Dawe*, by Dennis Haskell

Review of *Tradition in Exile: A Comparative Study of Social Influences on the Development of Australian and Canadian Poetry in the Nineteenth Century* by John Pengwerne Matthews

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Review of *Charmian and George: The Marriage of George Johnston and Charmian Clift*, by Max Brown

Review of *Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatre*, by Katharine Brisbane

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

Shirley Hazzard’s *The Transit of Venus* and the Question of Value

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism