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Obscene and Over Here : National Sex and the Love Me Sailor Obscenity Trial

Singing up Country in the Poetry of Judith Wright and Pablo Neruda

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Finding Home: The Poetry of Margaret Scott

The Modernist Sacred: Randolph Stow and Patrick White

The Eco-Humanities as Literature: A New Genre?

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Reading English

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

English Studies in Australia: Repositioning the Subject

Cosmopolitanism, Sovereignty and Medievalism

Mary Fortune as Sylphid: ‘blond, and silk, and tulle’

Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*

The Spirit of the Creek!

Research in Progress in Australian Literature [1979]