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The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Manifesting Literary Feminisms: Nexus and Faultlines

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Afterword: The Story of a Bookmark

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

The Asian Conspiracy: Deploying Voice/Deploying Story

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*

Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)

‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary Studies

Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Reading the South Through Northern Eyes: Jorge Luis Borges’s Australian Reception, 1962–2016

‘Listen        to the People Who Know’: Nuclear Colonial Memory in the Work of Natalie Harkin and Yhonnie Scarce