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- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- John Tranter: Absence in FlightEssay1 October 1986
- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- David Malouf’s *Child’s Play* and ‘The Death of the Author’Essay1 May 1988
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Marcus Clarke and the TheatreEssay1 May 1975
- Old Orders, New Lands: The Earth Spirit in Picnic at Hanging RockEssay1 May 1978
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- The Short Story Cycles of Frank MoorhouseEssay1 October 1990
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Hal Porter, *The Tower* and the Quintessence of PorterismEssay1 June 1991
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- ‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard EldershawEssay1 May 1995