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- ‘Roost High and Crow Low’: The Legacy of Barry AndrewsEssay1 May 2000
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Solitariness of Alex MillerEssay1 May 2004
- Criminal Transport: George Barrington and the Colonial CureEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- Reading Kate Llewellyn’s Garden(Books)Essay1 October 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- ‘Will This be Your Poem, or Mine?’: The Give and Take of StoryEssay1 October 2007
- Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of RepresentationEssay1 November 2009
- Ambivalence, Absence and Loss in David Malouf’s *Remembering Babylon*Essay1 June 2009
- Review of *Bluestocking in Patagonia*, by Anne WhiteheadReview1 October 2005
- Finding Home: The Poetry of Margaret ScottEssay1 October 2005
- The Golden Fish: On Reading J. S. HarryEssay1 October 2005
- The Modernist Sacred: Randolph Stow and Patrick WhiteEssay1 October 2007
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008