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James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

Demidenko/Darville: A Ukrainian-Australian Point of View

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

Words, Sticks and Stones: Keneally, Literature and Social Impact

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

By Association: Crafting Mission and Values Statements for the Australian University Heads of English

When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.

Teaching the Value of Literature (and Other Paradoxes)

Simon During, Crisis Talk and the Legacies of the 1980s

Walter Murdoch : ‘A Humble Protest’?

Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*

Folksong - A Protest

Xavier Herbert: *Capricornia*

Jack Lindsay

The Traditionalism of James McAuley

Barbara Hanrahan’s Novels