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Anthologies and Orthodoxies

Catherine Martin, Writer: Her Life and Ideas

A.B. Facey’s Australian Autobiography

Barry Oakley and the Satiric Mode

Vance and Nettie Palmer: The Literary Journalism

Marcus Clarke’s *Chidiock Tichbourne*

The Poetic Narrative of R.D. FitzGerald’s ‘Between Two Tides’

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

‘realer than the Real’ : Francis Webb’s 'Ward Two'

Miles Franklin, *My Brilliant Career* and the Female Tradition

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Hal Porter, *The Tower* and the Quintessence of Porterism

‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les Murray

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters

Veronica Brady’s Biography of Judith Wright