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‘The Critics Made Me’: The Receptions of Thomas Keneally and Australian Literary Culture

Review of *Along the Faultlines: Sex, Race and Nation in Australian Women's Writing, 1880s-1930s* by Susan Sheridan, and *Writing the Colonial Adventure: Race, Gender and Nation in Anglo-Australian Popular Fiction, 1875-1914* by Robert Dixon

Review of *Australian Poetry: Romanticism and Negativity* by Paul Kane, and *Bridging: Readings in Australian Women's Poetry* by Rose Lucas and Lyn McCredden

Review of *Helen Garner*, by Kerryn Goldsworthy, *Masks, Tapestries, Journeys: Essays in Honour of Dorothy Jones*, edited by Gerry Turcotte, and *Reading Aboriginal Women's Autobiography*, by Anne Brewster

Annual Bibliography of Studies in Australian Literature: 1992

A.G. Stephens’s ‘Bookfellow’ in New Zealand

Bushed

Kenneth Slessor and the Chinese

Thea Astley’s *An Item from the Late News*: A Fictional Fifth Gospel

Review of *James Smith: The Making of a Colonial Culture* by Lurline Stuart, and *James Edward Neild: Victorian Virtuoso* by Harold Love

Review of books by Debra Adelaide, Helen Daniel, Chris Tiffin, Ken Gelder and Paul Salzman

Mal du Pays: Symbolic Geography in the Work of Randolph Stow

Patrick White and Murray Bail: Appropriations of ‘The Prodigal Son’

Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

Alan Wearne: Interview

The Scarlet-Clad Woman: Munch’s Influence in *A Fringe of Leaves*

*My Brilliant Career*: The Career of the *Career*

Challenging Voices: Tracing the Problematic Role of Testimony in Political Change

Under the Influence? Adam McCay: Journalist, Poet, Letter Writer and Influential Friend

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*