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Cold War, Home Front : Australian Women Writers and Artists in the 1950s

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

In His Own Sweet Time: Carmen’s Coming Out

Veronica Brady’s Biography of Judith Wright

The Literary Reputation of Adam Lindsay Gordon

*Geoffry Hamlyn* and Its Australian Setting

Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century Australia

Not Reading the Nation: Australian Readers of the 1890s

Mid-Victorian Reading and the Antipodes

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

Future Tense: *Dead Europe* and Viral Anti-Semitism

Of Sages and Sybils: Alec Hope and Judith Wright

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*

An Indian without a Country

Imagining Transcendence: The Poetry of David Malouf

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

The Golden Fish: On Reading J. S. Harry

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy