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- From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian FictionEssay1 May 1987
- ‘Interest’ in Les A. MurrayEssay1 October 1989
- Kate Baker, ‘Standard-Bearer’Essay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and CriticismEssay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Enlarging Our Experiments with Narrative: John A. Scott’s Triology with AnnotationsEssay1 May 1992
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Dorothy Hewett’s Faith in DoubtEssay1 May 2001
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*Essay1 November 2009
- Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*Essay2 May 2023
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Sex and the City: New Novels by Women and Middlebrow Culture at Mid-CenturyEssay1 October 2012
- Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*Essay1 October 2013
- Defining the Field of Irish-Australian Literature: Challenges and ConundrumsEssay30 September 2021
- Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*Essay25 February 2018