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C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Future Tense: *Dead Europe* and Viral Anti-Semitism

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Of Sages and Sybils: Alec Hope and Judith Wright

Who Is Kevin, and Why Do We Need to Talk About Him? Lionel Shriver, Kevin, and the Problem of Representation

The Telling of Marmel’s Story

An Indian without a Country

Finding Home: The Poetry of Margaret Scott

The Golden Fish: On Reading J. S. Harry

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Salt Scars: John Kinsella’s Wheatbelt

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Where Literary Studies Is, and What It Does

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Patrick White’s Studies for *Voss*