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A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Francis Adams: Realism and Sensation in the 1880s

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

*An Imaginary Life*: The Dimensions of Self

Baylebridge, Nietzsche, Shaw: Some Observations on the ‘New Nationalism’

*The Battlers*: Kylie Tennant and the Australian Tradition

Christina Stead: A Checklist

Fred J. Broomfield: Research Assistant Extraordinaire

Official Criticism? Critical Practices and Australian Poetry

Treating Dora in *His Natural Life*

‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry Kendall

O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and Celebrity

Snake Dreaming: The Life-Giving and Life-Taking Powers of the Snake

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Australian Gothic: Theatre and the Northern Turn

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

The Asian Conspiracy: Deploying Voice/Deploying Story

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

‘Having Fun with the Professors’: Gwen Harwood and Doctor Eisenbart