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‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ Fiction

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Interview with Thomas Keneally, Manly, 27 June 2012

Review of *Australian Poets* series

The Writing of Capricornia

Hal Porter’s Comic Mode

Thomas Keneally’s ‘Innocent’ Men

Review of *Nellie Melba, Ginger Meggs and Friends, Essays in Australian Cultural History* ed. Susan Dermody, John Docker and Drusilla Modjeska

David Malouf and the Language of Exile

American Dreaming : The Fictions of Peter Carey

Is There No End to Travelling? Paul Carter in the Linguistic No-Man’s-Land

A Pastoral Reading of Christina Stead’s *Cotters’ England*

Australian Bards and British Reviewers

Voyage and Kaleidoscope in George Johnston’s Trilogy

Rosemary Dobson : The Influence of Art

Four Notes on the Practice of Revolution

Convict Legends, Australian Legends: Price Warung, the Palmers and Others, 1927-1970