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Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

An Interview with Archie Weller

Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*

Worlds Apart? Finnish Translations of Australian Literature

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

Man, Work and Country: The Production of Henry Lawson

Michael Wilding’s Three Centres of Value

‘Roost High and Crow Low’: The Legacy of Barry Andrews

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

‘Years Later’: Temporality and Closure in Peter Carey’s Novels

Dorothy Hewett’s Faith in Doubt

About Face: Asian-Australians at Home

Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian Contexts

The Mysterious Case of Carter Brown, or, Who Really Killed the Australian Author

Dying of Landscape: E.L. Grant Watson and the Australian Desert