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Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

Review of *The Broad Arrow: Being Passages from the History of Maida Gwynnham, a Lifer*, by Oliné Keese, edited by Jenna Mead

Review of *Lohrey* by Julieanne Lamond

Porous Realism and the Precarious Home in Ruth Park’s Fiction

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British Connections

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. Norton

Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and Aesthetics

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

A Versatile Career: Ruth Park’s Novels in the American Marketplace

**The Commercial Function of Historical Book Reviews: An Interrogation of the Angus & Robertson Archives**

Textual Encounters of the Bird Kind: Dal Stivens and the Night Parrot

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

Literary Nationalism and the 1890s

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction