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- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Neither Here Nor There: Suburban Voices in Australian PoetryEssay1 November 1998
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- Ern Malley and His RivalsEssay1 May 2001
- Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned KellyEssay1 May 2002
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Cold War, Home Front : Australian Women Writers and Artists in the 1950sEssay1 May 2002
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Mysterious Case of Carter Brown, or, Who Really Killed the Australian AuthorEssay1 October 2004
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley WalkerEssay1 May 2004
- ‘The Slaughterman of Wagga Wagga’: Imposture, National Identity, and the Tichborne AffairEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006