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Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Some Recent Australian Fictions in the Age of Tourism: Murray Bail, Inez Baranay, Gerard Lee

Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*

Worlds Apart? Finnish Translations of Australian Literature

Dramatising the Self: Beverley Farmer’s Fiction

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Man, Work and Country: The Production of Henry Lawson

That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Neither Here Nor There: Suburban Voices in Australian Poetry

Colonial History and Post-Colonial Fiction : The Writing of Thea Astley

Ern Malley and His Rivals

Cultural Memory in Postcolonial Fiction: The Uses and Abuses of Ned Kelly

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny