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- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- First Steps toward a History of the Mid-Victorian Novel in Colonial AustraliaEssay1 May 2006
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014
- Beatrice Davis and ‘The Sacredness of the Printed Word’Essay1 October 2012
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Annual Bibliography of Studies in Australian Literature: 1989Essay1 May 1990
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Helen Garner’s EducationEssay28 October 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- H. G. Wells in AustraliaEssay30 May 1990
- The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Annual Bibliography of Studies in Australian Literature: 1977Essay1 May 1978
- Annual Bibliography of Studies in Australian Literature: 1993Essay1 May 1994