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What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

Review of *Henry Handel Richardson: Fiction in the Making* by Axel Clark, *The Importance of Being Eve Langley* by Joy L. Thwaite, and *The Last Exquisite: A Portrait of Frederic Manning* by Verna Coleman

Michael Wilding’s Three Centres of Value

The Artful Man: Theory and Authority in Brian Castro’s Fiction

Review of *Hearts and Minds: Creative Australians and the Environment*, by Michael Pollak and Margaret MacNabb

Annual Bibliography of Studies in Australian Literature: 2001

In His Own Sweet Time: Carmen’s Coming Out

The Literary Reputation of Adam Lindsay Gordon

Review of *Quintus Servinton: A Tale Founded upon Incidents of Real Occurrence* by Henry Savery

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Review of *Faking Literature*, by K.K. Ruthven

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

Clem Christensen and His Legacy

Reading (in/and) *Miranda*

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

Review of *John Lang: Australia's Larrikin Writer* by Victor Crittenden, and *Australia Imagined: Views from the British Periodical Press 1800- 1900* ed. Judith Johnston and Monica Anderson

‘Will This be Your Poem, or Mine?’: The Give and Take of Story

Review of *David Malouf*, by Don Randall

The Significance of Littoral in Beverley Farmer’s Novel *The Seal Woman*