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- A.G. Stephens: The Critical *Credo*Essay1 December 1964
- Annual Bibliography of Studies in Australian Literature : 1982Essay1 May 1983
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- Editing A.D. HopeEssay1 October 1986
- *An Imaginary Life*: The Dimensions of SelfEssay1 May 1989
- Annual Bibliography of Studies in Australian Literature: 1974Essay1 May 1975
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Colonial ‘Australian’ Theatre Writers: Cultural Authorship and the Case of Marcus Clarke’s ‘First’ PlayEssay1 May 1997
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Annual Bibliography of Studies in Australian Literature: 2007Essay1 October 2008
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- A Decade of ComplaintsEssay30 October 2023
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024
- The Tennysons in Literary AdelaideEssay31 October 2015