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- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- Shaw Neilson’s PoetryEssay1 December 1966
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary BackgroundEssay1 October 1982
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Randolph Stow’s *Outrider* and the French Voyager PoemEssay1 October 1997
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- ‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*Essay1 October 2006
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational RhetoricEssay1 November 2009
- Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*Essay1 October 2008
- Friendship in a Time of LonelinessEssay1 May 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- ‘Did He Want to Mix and Mate with this Man?’: Mateship, Modernism and Homoerotic PrimitivismEssay1 May 2012
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012