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- When ‘History Changes Who We Were’Review1 November 2008
- Review of *Frank Hardy and the Literature of Commitment*, edited by Paul Adams and Christopher LeeReview1 May 2005
- Celebrating Elizabeth JolleyEssay1 May 2009
- Inner Voices and the First CoilEssay1 October 1979
- Menippean Sensibility in Patrick White’s *Memoirs of Many in One* by Alex Xenophon Demirjian GrayEssay1 November 2015
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*Essay1 October 1983
- Mateship, Individualism and the Production of Character in Australian FictionEssay1 October 1984
- Catherine Martin, Writer: Her Life and IdeasEssay1 October 1987
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth JolleyEssay1 October 2009
- ‘Alone and in close company’: Reading and Companionship in Brenda Walker’s *Reading by Moonlight*Essay1 May 2012
- Irish-Australian Literature: Ghosts, Genealogy, TraditionEssay30 September 2021
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging PhantomsEssay1 October 2004
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Australia’s ‘First’ DramatistsEssay1 May 1969