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Patrick White’s *A Fringe of Leaves*: History and Fiction

Interview with Christina Stead

The Aboriginal Subject in Autobiography: Ruby Langford’s *Don’t Take Your Love to Town*

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

The Pursuit of Oblivion: In Flight from Suburbia

The Drowned World of Kenneth Slessor

Colonial Gothic: Morbid Anatomy, Commodification and Critique in Marcus Clarke’s *The Mystery of Major Molineux*

Wilde Identifications: Queering the Sexual and the National in the Work of Eve Langley

Some Versions of Manifold: Brisbane and the ‘Myth’ of John Manifold

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

Poetry’s ‘Formative Power’: Teaching Poetry in Tasmania 1900-1950

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial Poetry

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*

The Tennysons in Literary Adelaide

From the Harp of Erin to Erin of the Harp with Thomas Keneally

Interview with Thomas Keneally, Manly, 27 June 2012

Review of *Australian Poets* series