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Review of *Bodyjamming: Sexual Harassment, Feminism and Public Life*, edited by Jenna Mead

(Correspondence - response to review)

Review of *The Oxford Book of Australian Essays*, edited by Imre Salusinszky

Review of *The Gauche Intruder: Freud, Lacan and the White Australian Fantasy*, by Jennifer Rutherford

Review of *Re-presenting Otherness: Mapping the Colonial 'Self,' Mapping the Indigenous 'Other' in the Literatures of Australia and New Zealand*, edited by Franrçoise Kral

Review of *Witnessing the Past: History and Post-Colonialism in Australian Historical Novels*, by Sigrun Meinig

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

Problems Facing Contemporary Novelists

One Decade, Two Accounts: The Aboriginal Arts Board and ‘Aboriginal literature’, 1973-1983

The Surrender to Truth in The Early Australian Novel

Grant Watson and the Aborigine: A Tragic Voice in an Age of Optimism

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Amanda Lohrey's *Vertigo*: An Australian Pastoral

Authors’ Statements [Jean Bedford]

Newspaper Publications of Novels of Ada Cambridge

Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey Serle

Henry Kingsley, and the ‘Dear Old Station’: The ‘Baroona’ of *Geoffry Hamlyn*?

An Interview with Judith Rodriguez