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- Thoughts on Some Recent PoetryEssay1 October 1977
- Alan WearneEssay1 October 1977
- The One-Actor Play in Australian DramaEssay1 May 1981
- *Capricornia*: Recovering the Imaginative Vision of a Polemical NovelEssay1 May 1981
- Annual Bibliography of Studies in Australian Literature: 1997Essay1 May 1998
- Review of *Continent of Mystery: A Thematic History of Australian Crime Fiction*, by Stephen KnightReview1 May 1998
- Review of *My Congenials: Miles Franklin & Friends in Letters*, edited by Jill Roe.Review1 May 1995
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Death and Home-Work: The Origins of Narrative in *The Fortunes of Richard Mahony*Essay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- Review of *God's Fool: The Life and Poetry of Francis Webb* by Michael Griffith, and *Spirit in Exile: Peter Porter and His Poetry* by Bruce BennettReview1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Review of *Australian Short Fiction: A History*, by Bruce BennettReview1 May 2003
- Australian Literature: Points for DepartureEssay1 October 1999
- Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia MartinReview1 May 2007
- Professing the Popular: Political Fiction circa 2006Essay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007