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Capricornia : Seasonal, Diurnal and Colour Patterns

Themes and Imagery in *Voss* and *Riders in the Chariot*

Patrick White’s Four Plays

Folksong - A Protest

Shaw Neilson’s Poetry

Jack Lindsay

The Reconstruction of Self: Background and Design in George Johnston’s Meredith Trilogy

War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les Murray

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

Rolf Boldrewood’s *War to the Knife*: Narrative Form and Ideology in the Historical Novel

John Tranter: Absence in Flight

A.B. Facey’s Australian Autobiography

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

‘Interest’ in Les A. Murray

Meta-Medievalism and the Future of the Past in the ‘Australian Girl’ Novel

Truth beyond the Language Game: The Poetry of Gwen Harwood

Satyrs in the Top Paddock: Metaphysical Pastoral in Australian Poetry

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*