Your search for “field” found 614 results

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and Flush

Being Out of Time: Animal Gods in Contemporary Extinction Fictions

A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*

‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel Turner

The Asian Conspiracy: Deploying Voice/Deploying Story

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Composing *Rayuela*: The Musical Element in Julio Corrazar’s Narrative

R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary Culture

Culture wars and corporatism: The cultural mission in Australian non-fiction book publishing, 1958–2018

Bibliographic Notes on Selected Irish-Australian Writers

‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of Schizophrenia

Teaching the Value of Literature (and Other Paradoxes)

Patrick White’s Studies for *Voss*

Malley and Campalans: Apocryphal Modernists Yearning for Recognition

Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.

'Taking the flowery bed back to Australia': The Repatriation of Charmian Clift and George Johnston