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An Interview with Gabrielle Lord

Why Australia? Or Against the Fragmentation of English Literary Studies

Australian Literary Criticism: Future Directions

*My Brilliant Career*: The Career of the *Career*

**‘Like a Novel’: Literary Aesthetics, Nonfiction Ethics, and the *S-Town* podcast**

Displaced Homelands in Gerald Murnane’s *Inland*

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Irish Republicanism and the Colonial Australian Bushranger Narrative

The Values of *Critique*

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

Writing the Irish-Australian Self: Life-Writers and Irish Stereotypes, 1870-2000

A Book By Any Other Name? Towards a Social History of the Book in Aboriginal Australia

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Francis Adams: Realism and Sensation in the 1880s

Back to Whitton Week: Tracking Tom Keneally's Career

Marcus Clarke, the Two George Eliots, and the History of Two Newspapers

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

Editing A.D. Hope

John Grant: Australia’s First ‘Really’ Radical Poet

Australian Invention of Chinese Invasion: A Century of Paranoia, 1888-1988