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- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Rewriting the Past: Exploration and Discovery in *The Transit of Venus*Essay1 May 1992
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century MelbourneEssay1 May 1996
- The Drama of the Separate Self in Rae Desmond Jones’ The Mad VibeEssay1 October 1979
- Review of *Australians Abroad* edited by Charles Higham and Michael Wilding, and *Morrison of Peking* by Cyril PearlReview1 October 1968
- [Statement]Essay1 October 1985
- Celebrating Elizabeth JolleyEssay1 May 2009
- Review of *The Eye in the Mandala: Patrick White: A Vision of Man and God* by Peter Beatson and *Patrick White: Voss* by William WalshReview1 May 1978
- Review of *Postcolonial Ecocriticism: Literature, Animals, Environment* by Graham Huggan and Helen TiffinReview1 May 2011
- Review of *The Poetry of Judith Wright* by Shirley WalkerReview1 May 1982
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Review of *Stella Miles Franklin: A Biography*, by Jill RoeReview1 October 2010
- Interview with Barbara HanrahanEssay1 May 1983
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- EditorialEssay15 February 2016
- Thomas Keneally and the Scheme of ThingsEssay1 May 1979
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Review of *Marcus Clarke's Bohemia* by Andrew McCannReview1 May 2006
- Blue Corner and Red Corner, Metropolis and Province: Literature and Education in Contemporary AustraliaEssay1 June 2013