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‘In Every Story There Is a Silence’: Translating Coetzee’s Female Narrators into Italian

Translating for the Australian Stage (A Personal Viewpoint)

Review of *Read It Again*, by Chris Wallace-Crabbe

David Malouf and the Language of Exile

Review of *The Default Country: A Lexical Cartography of Twentieth Century Australia*, by J.M. Arthur

Coetzee’s Womanizing

‘His Grief Is the Plague’ Poetry of Loss and the Risk of Losing One’s Readers

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Coetzee and Wicomb: Writers Giving an Account of Themselves in *Age of Iron* and *October*

Introduction: AI and the Future of Literary Studies

Repairing Rationality: Max Bense and the Automation of Literature in Post-War Germany

Les Murray’s Talking Mosaics

Origin, Identity and the Body in David Malouf’s Fiction

*The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’

An Interview with Tim Winton

**Australian Triptych in Chinese-Language Migrant Fiction: Three Tales, Three Periods, Three Images**

Opening Address, English Conference, Macquarie University

Review of *The ALS Guide to Australian Writers: A Bibliography 1963-1990*, edited by Martin Duwell and Laurie Hergenhan, and *A Bibliography of Australian Multicultural Writers*, compiled by Sneja Gunew and others

‘Death and the Woman’ : Looking at Francis Webb’s ‘Lament for St Maria Goretti’

Truth beyond the Language Game: The Poetry of Gwen Harwood