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Decomposing Suburbia: Patrick White’s Perversity

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

The Tidiest Revolution: Regulative Feminist Autobiography and the De-Facement of the Australian Women’s Movement

Unbecoming Australians : Crisis and Community in the Australian Villa/ge Book

Romantic Attitudes in *Geoffry Hamlyn*

The Chant of Thomas Keneally

Review of *In A Critical Condition* by John Docker; and *The Music of Love: Critical Essays on Literature and Life* by Dorothy Green

Australian Criticism in ‘Transition’

Roy Bridge’s Fictions of Van Diemen’s Land

Judith Wright and the Temporality of Composition

Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold War

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Review of *The Lyre in the Pawnshop: Essays on Literature and Survival 1974-1984* by Fay Zwicky; and *The Uncertain Self: Essays in Australian Literature and Criticism* by Harry Heseltine

Review of *Gwen Harwood* ed. Robert Sellick; and *Reading Australian Poetry* by Andrew Taylor