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- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- Richard Rorty’s Pragmatic Rehabilitation of Literary Criticism as a ‘Kind of Writing’Essay1 November 2013
- Review of *Vance Palmer* by Harry HeseltineReview1 October 1971
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- In His Own Sweet Time: Carmen’s Coming OutEssay1 October 2004
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- Simple Facts of Light and Stone: The Eco-Phenomenology of Anthony LawrenceEssay1 October 2008
- Counter-PoeticsEssay1 June 2011
- The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’Essay1 May 2011
- Displaced Selves in Contemporary Fiction, or the Art of Literary ActivismEssay1 November 2013
- Daemonic Currents in Dorothy Porter’s PoetryEssay1 May 2010
- The Australian Career of John Lang, NovelistEssay1 June 1964
- Review of *Mary Gilmore: A Tribute* by Dymphna Cusack, T. Inglis Moore, and Barrie OvendenReview1 December 1965
- Review of *Australian Writers* by L.J. BlakeReview1 May 1969
- Authors’ Statements [Barry Oakley]Essay1 October 1981
- Review of *Who Is She? Images of Woman in Australian Fiction', ed. Shirley WalkerReview1 October 1984
- Here Beyond My KnowingEssay1 May 1985
- CorrespondenceEssay1 May 1986