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- Review of *The Anthology of Colonial Australian Romance Fiction*, edited by Ken Gelder and Rachael WeaverReview1 June 2011
- Conceptual Poetry, Nonconceptual Poetry, Postconceptual PoetryEssay1 October 2013
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- Amanda Lohrey's *Vertigo*: An Australian PastoralEssay30 June 2015
- Aboriginal Women's Life-History Writing, Settler Reading and *Not Just Black and White*Essay11 December 2022
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta OlubasReview1 November 2012
- Review of *Reading by Numbers: Recalibrating the Literary Field*, by Katherine BodeReview1 November 2012
- Review of *Angus & Robertson and the British Trade in Australian Books, 1930-1970. The Getting of Bookselling Wisdom*, by Jason D. EnsorReview1 October 2014
- The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’Essay1 May 1991
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Interview with Christina SteadEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014