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Mid-Victorian Reading and the Antipodes

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*

Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*

Of Sages and Sybils: Alec Hope and Judith Wright

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Paternalism and Complicity: Or How Not to Atone for the ‘Sins of the Father’

The Eco-Humanities as Literature: A New Genre?

Friendship in a Time of Loneliness

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth Century

Establishing an Australian/Caribbean Alliance: Stories Passed on by Penny van Toorn and Olive Senior

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*

Daemonic Currents in Dorothy Porter’s Poetry

**Authorial Editing, Retrospective Reading and Short Story Publishing: New Approaches to Christos Tsiolkas**

Under the Angle: Memory, History, and Dance in Nineteenth-Century Medievalism