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- ‘Colonial Literature for Colonial Readers!’Essay1 October 1971
- War in Post-1960s Fiction: Johnston, Stow, McDonald, Malouf and Les MurrayEssay1 October 1985
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Satyrs in the Top Paddock: Metaphysical Pastoral in Australian PoetryEssay1 May 1992
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- A Neglected Interview between Henry Handel Richardson and Brian Penton, 1931-1933Essay1 May 1998
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- Excavating a Bonanza: Sarah CampionEssay1 May 2004
- Shit Creek: Suburbia, Abjection and Subjectivity in Australian ‘Grunge’ FictionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- Gender and Race Relations in Elizabeth O’Conner’s Northern HomesteadsEssay1 May 2003
- Remember Love and Struggle? Reading Jean Devanny’s *Sugar Heaven* in Contemporary Australian ContextsEssay1 May 2004
- The Great Southern Land: Asian-Australian Women Writers Re-View the Australian LandscapeEssay1 October 2003
- Not Reading the Nation: Australian Readers of the 1890sEssay1 May 2006
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- An Indian without a CountryEssay1 June 2009
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007