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- Gossip and History in the Novels of Brian Penton and Thomas KeneallyEssay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Worlds Apart? Finnish Translations of Australian LiteratureEssay1 October 1995
- Towards a History of Literary Programming on ABC RadioEssay29 October 2020
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997
- Colonial History and Post-Colonial Fiction : The Writing of Thea AstleyEssay1 May 1999
- The Fiction of Gabrielle LordEssay1 October 1999
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Who’s Who?: Mapping Hoaxes and Impostures in Australian Literary HistoryEssay1 October 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reflecting the Detectives: Crime Fiction and the New Journalism in Late Nineteenth-Century AustraliaEssay1 May 2005
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- The Telling of Marmel’s StoryEssay1 June 2009
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Elizabeth Jolley’s Late WorkEssay1 May 2009
- Review of *The Colonial Kangaroo Hunt* by Ken Gelder and Rachael WeaverReview30 April 2021