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- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*Essay1 November 2010
- Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice TawhaiEssay1 November 2010
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Site Unscene: Medial Ideology and the Literary InterfaceEssay19 December 2019
- Inscription and the Settler Colony: Theorising Aboriginal Textuality TodayEssay25 May 2024
- On Not Having Sex: Sumner Locke Elliott and Queer HistoryEssay19 December 2019
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer ReviewEssay30 October 2023
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)Essay3 October 2024
- Helen Garner’s EducationEssay28 October 2021
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- Folie, Topography and Family in Murray’s Middle-Distance PoemsEssay1 October 2001
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Some Versions of Manifold: Brisbane and the ‘Myth’ of John ManifoldEssay1 October 2003
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- ‘The Other Seven Little Australians’: *The Man Who Loved Children* Reads Ethel TurnerEssay1 October 2010
- ‘A Window of Life’: Essays on Ruth ParkEssay3 October 2024