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- The Pursuit of Oblivion: In Flight from SuburbiaEssay1 November 1998
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- Justice, Sacrifice and the Mother’s PoemEssay1 October 2001
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- In the Beginning: David Malouf’s *An Imaginary Life*Essay1 October 2005
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- The Asian Conspiracy: Deploying Voice/Deploying StoryEssay1 October 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- R. Strauss, Opus 67, 1-3, Drei Lieder der Ophelia: Ophelia Set adrift in the Cross-Currents of Interdisciplinary CultureEssay1 June 2014
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- Defining and Redefining Popular Genres: The Evolution of ‘New Adult’ FictionEssay3 December 2018
- ‘Having Fun with the Professors’: Gwen Harwood and Doctor EisenbartEssay26 February 2017
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022