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- Eric BeachEssay1 October 1977
- Narrative Technique in LawsonEssay1 May 1980
- Australian Poems on European PaintingsEssay1 June 1991
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- **Contingencies of Meaning Making: English Teaching and Literary Sociability**Essay29 October 2020
- Tasma’s First PublicationEssay1 May 1992
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- The Art of ‘Cracking Normal’Essay1 October 2001
- *My Brilliant Career* and FeminismEssay1 October 2002
- Review of *Australian Literary Manuscripts in North American Libraries: A Guide*, *Australian Autobiographical Narratives: An Annotated Bibliography*, *Black Australian Literature: A Bibliography of Fiction, Poetry, Drama, Oral Traditions and Non-Fiction, Including Critical Commentary, 1900-91*Review1 October 1999
- In Quest of a Quaker: A Note on Henry Savery’s Nom de PlumeEssay1 June 1963
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- Review 0f *Make It Australian: The Australian Performing Group, the Pram Factory and New Wave Theatre*, by Gabrielle WolfReview1 May 2009
- Review of *Marking Feminist Times: Remembering the Longest Revolution in Australia*, by Margaret HendersonReview1 October 2008
- Indigenous Sovereignty in the Poetry of Romaine MoretonEssay1 October 2009
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Conceptualising Irish-Aboriginal WritingEssay30 September 2021
- Review by Craig MunroReview1 May 1991
- ‘The Young Man Will Go Far’: Educational Mobility and Christina Stead’s Compositional Practice in the Early 1930sEssay7 December 2016