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‘The Kingdom of Dust’: *Voss* as Planetary Epic

Annual Bibliography of Studies in Australian Literature: 1987

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Transforming *Jane Eyre*: Its Australian Stage Adaptations

‘No light, no land or sea’: Urban alienation in Elizabeth Harrower’s *Down in the City*.

The Historical Basis of For the Term of His Natural Life

Facey’s A Fortunate Life and Traditional Oral Narratives

What Created, What Perceived?: Early Responses to New South Wales

Demidenko/Darville: A Ukrainian-Australian Point of View

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YA

Site Unscene: Medial Ideology and the Literary Interface

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

On Not Having Sex: Sumner Locke Elliott and Queer History

The Ends of Empire: Australian Steampunk and the Reimagining of Euro-Modernity

Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer Review

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)