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- Review of *Faking Literature*, by K.K. RuthvenReview1 October 2002
- On the Genealogy of Democracy: Reading Peter Carey’s *Parrot and Olivier in America*Essay1 June 2012
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- Murnane, Husserl, Derrida: The Scene of WritingEssay1 October 1989
- Review by Craig MunroReview1 May 1991
- Review of *From Deserts the Prophets Come: The Creative Spirits in Australia* by Geoffrey SerleReview1 May 1974
- The Citizenship of Peter PorterEssay1 May 1978
- The Genesis of a Writer: The Early Years of Kenneth MackenzieEssay1 October 1968
- Facey’s A Fortunate Life and Traditional Oral NarrativesEssay1 May 1988
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- ‘Years Later’: Temporality and Closure in Peter Carey’s NovelsEssay1 October 1999
- ‘That Wild Run to London’ : Henry and Bertha Lawson in EnglandEssay1 October 2007
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey SerleReview1 May 1989
- Introduction: Writing Disability in AustraliaEssay23 May 2022
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Society and Nature in Such is LifeEssay1 December 1963
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999