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- The Australian Kangaroo Hunt Novel (1830–1858) as *Bildungsroman*Essay5 July 2019
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Annual Bibliography of Studies in Australian Literature: 1998Essay1 May 1999
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*Essay11 December 2022
- The Ends of Empire: Australian Steampunk and the Reimagining of Euro-ModernityEssay3 December 2018
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- Vincent Buckley, Colonialism and the Problem of Irish-Australian IdentityEssay30 September 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Shirley Hazzard’s *The Transit of Venus* and the Question of ValueEssay30 October 2023
- The Values of *Critique*Essay30 October 2023
- Interpretation; or, AI’s Missing AlgorithmEssay22 December 2025
- Recentring Water: Thinking with the Chain of PondsEssay25 May 2024
- Porous Realism and the Precarious Home in Ruth Park’s FictionEssay3 October 2024
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- ‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*Essay3 October 2024
- When the Drums Went Bang: Ruth Park’s ‘Truth in There Somewhere’Essay3 October 2024
- Malley and Campalans: Apocryphal Modernists Yearning for RecognitionEssay19 December 2024
- Writing Places in the Spaces of AIEssay22 December 2025
- A Book By Any Other Name? Towards a Social History of the Book in Aboriginal AustraliaEssay1 June 2009