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David Campbell’s Poetic Mind

A.D. Hope’s Latter-Day Ulysses: ‘The End of a Journey’ and the Literary Background

From Pleasure Domes to Bark Huts: Architectural Metaphors in Recent Australian Fiction

The Structure of Frederic Manning’s War Novel *Her Privates We*

*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

The Bridled Pegaroo, or, Is there a Colonial Poetics of Intertextuality

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Hal Porter, *The Tower* and the Quintessence of Porterism

‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her Critics

‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas Shapcott

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

An Interview with Archie Weller

A Reconsideration of Christina Stead at Work: Fact into Fiction

Helen Garner’s *Monkey Grip*: The Construction of an Author and Her Work

The Ethics of Abjection: Patrick White’s *Riders in the Chariot*

Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard Award

Les Murray: A Selective Checklist

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Mid-Victorian Reading and the Antipodes